cadenced:

David McLeod’s illustration for ARTCRANK New York 

Magical lands of magical magic via tileblr -ts
red-lipstick:

Rachell Sumpter (b. 1972 Los Angeles, CA, USA) - Ghosts, 2009 Gouache, Pastels on Paper 
  • asylum-art:

    One bright spark: Hypnotic photographs capture Pablo Picasso

    'painting' with light

    He was known for pushing the boundaries of his craft, so when Pablo Picasso was offered to paint with light, he leaped at the chance.

    These stunning photographs, which show a dimly-lit Picasso swathed in neon squiggles, are the results of five sessions he held with lighting innovator Gjon Mili in 1949.

    In a series known as his ‘light drawings’, the images show the artist waving a strobe light to create figures reminiscent of the screaming cattle in Guernica or the curvaceous woman in The Dreamer.

    (via asylum-art)


  • 1 day ago
  • asylum-art:

    Timothy Hon Hung Lee

    Tim Lee’s large-scale ink drawings and paintings on rice paper are, at a first glance, tightly bound with the visual aesthetics of Chinese painting, while simultaneously referencing elements of traditional European art. The conflation of these visual cultures is unsurprising: Lee is a British artist of Chinese descent.

    But the work does not just amount to a reverential homage to these past cultures. The construction of this work is a slow meditation on composition, where the artist enacts an exploration of the pictorial space (and a very physical one: at certain points moving back from the work, assessing it under altered light conditions, even making “passes” of the hand over the paper, feeling, in a literal sense, his way through the construction of the image). The works do not grow from background to foreground as in traditional painting, and are not planned as an overall image, but are in a sense unveiled through a nomadic meandering across the paper, where entire sections are completed before stepping back and deciding which direction to take next. This lack of a dominating, pre-established composition can explain why these paintings often operate best when the eye is allowed to roam slowly across the surface.

    (via coldanddistant)


  • 1 day ago
sblaufuss:

I nearly choked.
1000drawings:

by Huebucke